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Scanline Discusses Zack Snyder’s Justice League VFX

VFX: Godzilla vs. Kong

Apparently Zack Snyder’s First Justice League Trailer Really Helped VFX Artists Perfect The Flash’s Look

4 Things You Should Know About The VFX Behind Mechagodzilla

‘Justice League’ VFX Supervisor On Silas Stone’s Explosive Death

Scanline’s VFX Supervisor Talks Epic Godzilla vs. Kong Effects

Scanline VFX On Building The City & Cosmic Footsteps For The Flash Rewind Scene

Godzilla vs Kong Filmmakers Wanted a 'More Agile' Mechagodzilla

Scanline VFX Tackles the cosmic rewind in ‘Zack Snyder’s Justice League’

Godzilla vs Kong: Bryan Hirota (VFX Supervisor) with Chris Mulcaster (CG Supervisor), Jim Su (Creatures Supervisor), Kishore Singh (CFX Supervisor), Jonathan Freisler (FX Supervisor) and Eric Petey (Animation Supervisor) – Scanline VFX

How ‘Zack Snyder’s Justice League’s’ Martian Manhunter scene was made

“Ape in the Rain” — Godzilla vs Kong visual effects by Scanline VFX

Zack Snyder's Justice League exclusive Scanline VFX details expanding the Russia scene and the parademon gun

Scanline VFX takes on Godzilla vs. Kong

Galactic footsteps in the cosmic rewind: Scanline & the Flash

Godzilla vs. Kong: Bryan Hirota on how JAWS inspired the VFX of the Kaiju fight at sea (exclusive)

‘Justice League’ VFX Supervisor explains Zack Snyder’s vision for the Flash’s speed force

Godzilla vs. Kong: Scanline VFX's Bryan Hirota on bringing the Kaiju clash to visual life

The few minutes of Martian Manhunter in Justice League involved hundreds of hours of work

Godzilla vs. Kong visual effects part 3 – Bryan Hirota of Scanline VFX

VFX Supervisor Bryan Hirota interview: Zack Snyder's Justice League

How Kong’s ocean showdown with Godzilla was made

Justice League VFX team breaks down the challenges of completing the film

Zack Snyder’s Justice League: Bryan Hirota & Julius Lechner – VFX Supervisors – Scanline VFX

VFX Supervisor Bryan Hirota interview: Godzilla vs Kong

MIDWAY: Laurent Taillefer – VFX Supervisor – Scanline VFX

A visual journey into scanline’s ‘Stranger Things’ machine

A visual journey behind the VFX of Hydroman

Spider-Man – Far From Home: Julius Lechner – VFX Supervisor – Scanline VFX

Spider-Man swings into Europe for far from home

How Scanline VFX delivered Game of Thrones' epic conclusion

Game of Thrones – Season 8: Mohsen Mousavi – VFX Supervisor – Scanline VFX

Scanline brings crowds - and horses - to Game of Thrones with Massive

Scanline reveals throne melt and King’s Landing destruction in ‘GOT’ season 8 VFX breakdown

Captain Marvel: Nick Crew – VFX Supervisor – Scanline VFX

Aquaman: Bryan Hirota – VFX Supervisor – Scanline VFX

The Meg: Mohsen Mousavi – VFX Supervisor – Scanline VFX

Intel and Ziva Dynamics: making the prehistoric possible

Ant-Man and the Wasp: Jelmer Boskma – VFX Supervisor – Scanline VFX

Jurassic World – Fallen Kingdom: José Manuel Weil – Vfx Supervisor – Scanline Vfx

Waterworks: Scanline VFX talks about creating Wakanda for Black Panther

ScanlineVFX takes Black Panther visuals over the edge

Black Panther: Bryan Grill – VFX Supervisor – Scanline VFX

Tomb Raider: Nick Crew – VFX Supervisor – Scanline VFX

Guardians of the Galaxy Vol. 2: Jelmer Boskma – VFX Supervisor – Scanline VFX

Miss Peregrine’s Home for Peculiar Children: Jelmer Boskma – VFX Supervisor – Scanline VFX

Independence Day – Resurgence: Bryan Grill – VFX Supervisor – Scanline VFX

Batman vs. Superman – Dawn of Justice: Bryan Hirota – VFX Supervisor – Scanline VFX

Snowpiercer: Michel Mielke – VFX Supervisor – Scanline VFX

300 – Rise of an Empire: Danielle Plantec & Bryan Hirota – VFX Supervisors – Scanline VFX

Captain America – the Winter Soldier: Bryan Grill – VFX Supervisor – Scanline VFX

White House Down: Jan Krupp – VFX Supervisor – Scanline VFX

Man of Steel: Chad Wiebe – VFX Supervisor – Scanline VFX

Iron Man 3: Bryan Grill – VFX Supervisor – Scanline VFX

A Good Day to Die Hard: Joe Farrell – VFX Supervisor – Scanline VFX

Looper: Michel Mielke – VFX Supervisor – Scanline VFX

Hereafter: Bryan Grill – VFX Supervisor – Scanline VFX